Woke up only slightly reluctantly this morning, all the alarms blaring and the kitty purring. Thought about a blog entry I might write about the night before.
Army Guy calls just a little after 7:00, and I answer the phone saying, "Just ten minutes!"
"Wake up Frances!" he shouts into the phone. Our own little ritual.
I get up.
I get to get up today.
I get to drive to work -- I get to have a job to drive to!
I get to have supportive conversations with my reports.
I get to see the beautiful puffy clouds.
I get to do some real work.
I get to enjoy springtime in Boston.
I get to be alive.
Army Guy calls just a little after 7:00, and I answer the phone saying, "Just ten minutes!"
"Wake up Frances!" he shouts into the phone. Our own little ritual.
I get up.
I get to get up today.
I get to drive to work -- I get to have a job to drive to!
I get to have supportive conversations with my reports.
I get to see the beautiful puffy clouds.
I get to do some real work.
I get to enjoy springtime in Boston.
I get to be alive.
- Mood:
calm
It's the best springtime I've ever experienced in Boston. My camera equipment consists mostly of an LG 6000 and a Treo 650, so my photos don't really do justice to the nuances of color. I've got newer ones to upload. But here's a flickr set documenting that not only did we not have snow on tulips this year, but we had blossoms and buds and blossoms and bulbs and more blossoms. And green. And... spring.
Okelle's Spring 2008 Flickr Set
Okelle's Spring 2008 Flickr Set
- Location:La Officina de Casa
- Mood:
uplifted - Music:Sufjan Stevens - Chicago
Nothing captures the truth
Nothing captures the truth of the image:
the luminous quality
of the center of the pitcher
and the glass in the morning light,
that particular color of off-white/cream/not-beige-lighter-than-beige/linen
the linen of the curtain draping
to the floor, the shading of the drape
that you learned how to evoke all those years ago in the classroom
in the early light with charcoal
the classroom with the geraniums struggling in their pot by the window,
the window and the rusty bannister that led to the roof
although no one ever went out there,
we were bent over our sheets of paper,
first with permanent marker so we learned how to draw a line with confidence
and then with the charcoal and the pastel
and the trip to the sideboard where the hairdryers lay waiting
for us to finish off our washes and dip
our watercolor brushes for the next thing,
the colors mixed
painstaking
but never quite right
and your camera, your camera phone now,
none of it ever captures the truth of the scene you try to capture,
the cherry blossoms set to bloom but not yet, not yet,
the startle-surprise of the first green buds
under the still-lowering sky
and now weeks later, those same buds wafting out a scent
you think is cinnamon but no cardamom but no
something familiar but certainly not of this place
and the yellow flowers multiplied you recognize now for jasmine
jasmine from the incense stick, the scent packed across mountains
and cities from trucks and forklifts,
packed powdered and tight in boxes within boxes,
bagged and bought and sold
and placed in a fireproof receptacle and lit
and here blooming before you at the end of someone's driveway,
someone who planted a garden they haven't had time to weed
nothing will capture it
or the swans gliding majestic
over the surface of the pond,
which itself changes every day
and no one can capture the way the sparkles glint in the light,
moving, like the swans, majestic,
oh they try yes they try but nothing
nothing captures it not even words
Frances Donovan
May 1, 2008
- Mood:
awed
1. Still waters of the pond.
2. The ice broke. An email about bacteria count.
3. This morning, wavelets.
4. Will the swans mate this year?
5. I want to slide into the water, skin to water's skin. I want to guide him there, swim the dark waters with him. Fearful of the things below. Rotting leaves.
6. The cold makes you vital. Zip the tiny jacket, slip into sleet.
7. For Puritans, dancing is a sin.
8. Homeland is a beach in Santa Cruz. He surfed there. In the valley beyond, he died in a public men's room.
9. My mother's dancing makes me cringe. Unabashed. Skin to water's skin.
10. Tilt the map. Loose nuts roll to the Pacific.
11. Snow on tulips.
12. Curtain of sleet in the streetlamp. I am alive. Yes. Alive. Yes
13. At the egg moon. Alive.
Frances Donovan
March, April 2008
2. The ice broke. An email about bacteria count.
3. This morning, wavelets.
4. Will the swans mate this year?
5. I want to slide into the water, skin to water's skin. I want to guide him there, swim the dark waters with him. Fearful of the things below. Rotting leaves.
6. The cold makes you vital. Zip the tiny jacket, slip into sleet.
7. For Puritans, dancing is a sin.
8. Homeland is a beach in Santa Cruz. He surfed there. In the valley beyond, he died in a public men's room.
9. My mother's dancing makes me cringe. Unabashed. Skin to water's skin.
10. Tilt the map. Loose nuts roll to the Pacific.
11. Snow on tulips.
12. Curtain of sleet in the streetlamp. I am alive. Yes. Alive. Yes
13. At the egg moon. Alive.
Frances Donovan
March, April 2008
- Mood:
alive, yes, alive
Names of April
For Amy
You pom-pom,
you grape-plinth
you yellow-sprung
you sprink sprink springle
you prlip-bud
you lesser springle
you round seed rolled on the asphalt
hush,
listen
japanned smoot-pink
you unfurling
hush
listen
hush
Frances Donovan
April 2008
For Amy
You pom-pom,
you grape-plinth
you yellow-sprung
you sprink sprink springle
you prlip-bud
you lesser springle
you round seed rolled on the asphalt
hush,
listen
japanned smoot-pink
you unfurling
hush
listen
hush
Frances Donovan
April 2008
From the Artist a Day widget on my iGoogle, Edwin Ushiro:

The image above is actually a bit different from (the first image of his work that I saw) but shares the same dreamlike, flowing quality combined with realistic representation of the human form. Now that I think of it, there's an anime quality to what little I've seen of Ushiro's work. What initially struck me about the image, though, was that it provoked questions: Are those two girls pressing up on each other? (As someone who delights when I find representations of queers in the media I hoped the answer was yes.) Does the difference in color palette between the two indicate that one is "real" and the other a ghost or astral projection? Turns out I read the artist's intention about color correctly. This is what he says in his artist's statement:
Ushiro's bio says that he was transplanted from Maui to California, and by his last name I'm guessing that he is at least part Japanese. He mentions in his bio that he has experience in the film industry; I wonder if this experience has influenced his work, or whether I am right about his heritage and that his connection to Japanese culture has influenced it as well. Of course, I know plenty of anglos, myself included, whose work has been influenced by elements of Japanese culture, including anime.
Ushiro also shows a degree of technical savvy not apparent in other artists: he has a drawing blog as well as a stand-alone website.
In other news, a friend sent me this link to a fun little Shockwave app, just in time for spring: Go here and click and drag your mouse all over the screen. Yay flowers! Yay springtime! If they wanted to make it a Boston-style flower garden, they'd have to add some snowflakes once the flowers had sprouted. So far this year, no snow on tulips. But the tulips aren't up yet, and, you know, global warming...
The image above is actually a bit different from (the first image of his work that I saw) but shares the same dreamlike, flowing quality combined with realistic representation of the human form. Now that I think of it, there's an anime quality to what little I've seen of Ushiro's work. What initially struck me about the image, though, was that it provoked questions: Are those two girls pressing up on each other? (As someone who delights when I find representations of queers in the media I hoped the answer was yes.) Does the difference in color palette between the two indicate that one is "real" and the other a ghost or astral projection? Turns out I read the artist's intention about color correctly. This is what he says in his artist's statement:
Vietnamese, Hungarians, and Zimbabweans all share this common story of a Pressing Ghost. Usually occurring when one awakes from sleep, is the sensation of limbs & legs going numb, heavy pressure felt near the chest region, and the helpless victims inability to move. The Hawaiians believed this to be the result of "Pule Ana 'ana," a sorcery chant that includes praying someone to death. Such conditions can also be medically explained as a delay in chemical release in the nervous system.
Ushiro's bio says that he was transplanted from Maui to California, and by his last name I'm guessing that he is at least part Japanese. He mentions in his bio that he has experience in the film industry; I wonder if this experience has influenced his work, or whether I am right about his heritage and that his connection to Japanese culture has influenced it as well. Of course, I know plenty of anglos, myself included, whose work has been influenced by elements of Japanese culture, including anime.
Ushiro also shows a degree of technical savvy not apparent in other artists: he has a drawing blog as well as a stand-alone website.
In other news, a friend sent me this link to a fun little Shockwave app, just in time for spring: Go here and click and drag your mouse all over the screen. Yay flowers! Yay springtime! If they wanted to make it a Boston-style flower garden, they'd have to add some snowflakes once the flowers had sprouted. So far this year, no snow on tulips. But the tulips aren't up yet, and, you know, global warming...
- Location:Couch
- Mood:
still waking up - Music:Cell phone alarm + gentle traffic shushing
bright
cold
wind
crocus
cold
wind
crocus
- Mood:
cranky
Yes, faithful readers, I am indeed a crafty bitch. I like to keep extra wrapping stuff around so I can make pretty presents to people without another trip to the store. Plus, save the planet!
Here is an Easter basket I brought to my Mom on Sunday. Note the absence of chocolates, in a vain attempt to remain sugar-free on Easter Sunday (silly Okelle!)

Ingredients:
* Basket from a lovely bouquet of flowers
la_directora sent to me when I was in the hospital in 2006.
* Raffia from Christmas wrappings (instead of that creepy plastic "grass").
* Package of healthier-than-thou Ginger Snaps from Whole Paycheck (I get them out of the house, Mom enjoys them, everybody wins).
* Three hard-boiled eggs laid by very happy hens. 'Cause Easter, with the eggs and the bunnies and the other fertile things.
* One banana. Heh heh. Another fertility symbol. Heh heh.
* Garlic. 'Cause it's good for you. And sort of goes with the banana. Heh heh.
* Homemade bath salts: Epsom salts, essential oils of rosemary and lavendar. Poured in the schmancy jar from a schmancy fig/cocoa spread
mellowtron brought to my last big party, in November. Tie a bit of raffia around it, eh voila! Pretty!
* Silk flowers I bought as part of a hat-trimming project that never happened.
* Little teeny vase. Mom put it in the China cabinet! I have its sibling.
Mom liked it. Mom rocks.
Here is an Easter basket I brought to my Mom on Sunday. Note the absence of chocolates, in a vain attempt to remain sugar-free on Easter Sunday (silly Okelle!)
Ingredients:
* Basket from a lovely bouquet of flowers
* Raffia from Christmas wrappings (instead of that creepy plastic "grass").
* Package of healthier-than-thou Ginger Snaps from Whole Paycheck (I get them out of the house, Mom enjoys them, everybody wins).
* Three hard-boiled eggs laid by very happy hens. 'Cause Easter, with the eggs and the bunnies and the other fertile things.
* One banana. Heh heh. Another fertility symbol. Heh heh.
* Garlic. 'Cause it's good for you. And sort of goes with the banana. Heh heh.
* Homemade bath salts: Epsom salts, essential oils of rosemary and lavendar. Poured in the schmancy jar from a schmancy fig/cocoa spread
* Silk flowers I bought as part of a hat-trimming project that never happened.
* Little teeny vase. Mom put it in the China cabinet! I have its sibling.
Mom liked it. Mom rocks.
- Mood:
happy
The Key in the Fruit
Piece of the sun
little globe in the still-battled March
in the still-grey still-born
to be born, yet to be born
born late no early no late in a lower latitude
sun of a different land
sun that is full and golden
not this bright, pale thing
incisive as the sword
decisive as the word, the cut, the first cut
Fruit of cups—-pleasure
remove the leather
that protects your skin,
hands open to the wind,
holding this offering in the bright
incisive sunlight
northern clime
the hill and the rocks and the city spread below
don’t cut the skin, claw it open to reveal
the juice, blood of the fruit
an abundance that drips
to the bright cold pavement,
desultory grass—the Scots’
home across the sea did they ever see
the key in this fruit
that unlocks the land, and the land’s beloved
unlocks her earth prison
releasing her to this bright pale dun black grey lichen-colored hilltop
with the jewel in the fruit
red as a womb
still contained within her mouth
Frances Donovan
March 10, 2008
Robbins Farm Park, Arlington, MA
Written the Monday after Daylight Savings Time begins
Piece of the sun
little globe in the still-battled March
in the still-grey still-born
to be born, yet to be born
born late no early no late in a lower latitude
sun of a different land
sun that is full and golden
not this bright, pale thing
incisive as the sword
decisive as the word, the cut, the first cut
Fruit of cups—-pleasure
remove the leather
that protects your skin,
hands open to the wind,
holding this offering in the bright
incisive sunlight
northern clime
the hill and the rocks and the city spread below
don’t cut the skin, claw it open to reveal
the juice, blood of the fruit
an abundance that drips
to the bright cold pavement,
desultory grass—the Scots’
home across the sea did they ever see
the key in this fruit
that unlocks the land, and the land’s beloved
unlocks her earth prison
releasing her to this bright pale dun black grey lichen-colored hilltop
with the jewel in the fruit
red as a womb
still contained within her mouth
Frances Donovan
March 10, 2008
Robbins Farm Park, Arlington, MA
Written the Monday after Daylight Savings Time begins
- Mood:
irritable
Witchgrass
Something
comes into the world unwelcome
calling disorder, disorder--
If you hate me so much
don't bother to give me
a name: do you need
one more slur
in your language, another
way to blame
one tribe for everything--
as we both know,
if you worship
one god, you only need
one enemy--
I'm not the enemy.
Only to ruse to ignore
what you see happening
right here in this bed,
a little paradigm
of failure. One of your precious flowers
dies here almost every day
and you can't rest until
you attack the cause, meaning
whatever is left, whatever
happens to be sturdier
than your personal passion--
It was not meant
to last forever in the real world.
But why admit that, when you can go on
doing what you always do,
mourning and laying blame,
always the two together.
I don't need your praise
to survive. I was here first,
before you were here, before
you ever planted a garden.
And I'll be here when only the sun and moon
are left, and the sea, and the wide field.
I will constitute the field.
-- Louise Glück
From The Wild Iris, The Ecco Press (an imprint of HarperCollins publishers). New York: 1992.
Something
comes into the world unwelcome
calling disorder, disorder--
If you hate me so much
don't bother to give me
a name: do you need
one more slur
in your language, another
way to blame
one tribe for everything--
as we both know,
if you worship
one god, you only need
one enemy--
I'm not the enemy.
Only to ruse to ignore
what you see happening
right here in this bed,
a little paradigm
of failure. One of your precious flowers
dies here almost every day
and you can't rest until
you attack the cause, meaning
whatever is left, whatever
happens to be sturdier
than your personal passion--
It was not meant
to last forever in the real world.
But why admit that, when you can go on
doing what you always do,
mourning and laying blame,
always the two together.
I don't need your praise
to survive. I was here first,
before you were here, before
you ever planted a garden.
And I'll be here when only the sun and moon
are left, and the sea, and the wide field.
I will constitute the field.
-- Louise Glück
From The Wild Iris, The Ecco Press (an imprint of HarperCollins publishers). New York: 1992.
- Mood:
still stretching
Day two of telecommuting.
FlyLady (http://www.flylady.net) sends me emails all day long insisting that I put on some lace-up shoes. She wants to know where my laundry is, and if I have spent 15 minutes in my zone.
I laugh in her general direction.
I am, at least, clothed.
The house is large, drafty, empty. The kitties curl up next to each other on the couch. When I come within ten feet of them they start, prepare themselves to run away. There is no one who will cuddle with me on the couch.
I all alone in this sad, sad, world.
*sniff*
It's time to get out of this damn house. Frickin' rain.
April is the cruellest month, forcing bulbs from the cold earth. Teasing us with a whisper of warmth and then slapping us upside the head with that bone-chilling Boston Harbord cold.
Cannot.... leave... house...
FlyLady (http://www.flylady.net) sends me emails all day long insisting that I put on some lace-up shoes. She wants to know where my laundry is, and if I have spent 15 minutes in my zone.
I laugh in her general direction.
I am, at least, clothed.
The house is large, drafty, empty. The kitties curl up next to each other on the couch. When I come within ten feet of them they start, prepare themselves to run away. There is no one who will cuddle with me on the couch.
I all alone in this sad, sad, world.
*sniff*
It's time to get out of this damn house. Frickin' rain.
April is the cruellest month, forcing bulbs from the cold earth. Teasing us with a whisper of warmth and then slapping us upside the head with that bone-chilling Boston Harbord cold.
Cannot.... leave... house...
